Imagine John Waters touching down in mid-90s Belgrade, a city beset by international economic sanctions, criminality, and violent ethnonationalism, and concocting a comedic docufiction with the city’s LGBTQ+ community that sent up the prevailing toxic masculinity of the world around them. Marble Ass tells the story of Merlinka (Vjeran Miladinović), a local trans sex worker whose weapons aren’t guns and knives, but sex and love. She acts as a local matriarch, spreading her teachings to younger sisters - many of whom, were drawn from the trans and queer community of Belgrade, playing fictionalised versions of themselves.

A veteran of the radical Yugoslav Black Wave of the 1960s and still working today, director Želimir Žilnik won the Teddy Award in Berlinale for Marble Ass, the first film from the former Yugoslavia to openly depict LGBT+ characters. This remains one of his most enduring works, even more brilliant for its open acts of love and positivity at a time of such misery.

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