Dance like Nobody’s Watching transports you back to Vienna, 1918, where composer Arnold Schönberg founded the ‘Society for Private Musical Performance’ – an underground club for rebels, misfits and adventurers where Schönberg could indulge his love of popular music.
This was a space free from judgement. Critics, celebrity musicians, and establishment types were shunned, and no programmes were released in advance. Free from inhibition, Schönberg and his friends could focus on the music and the music alone. The Society rehearsed and performed at a ferocious pace, reverberating the leftfield utopia they’d created with the sound of stripped-back Viennese waltzes.
These elaborate classics were normally performed exclusively for the wealthy and the entitled, but in Schönberg’s alternate reality they were reclaimed to be enjoyed in their purest form – by and for lovers of music. In Dance Like Nobody’s Watching we invite you into Schönberg’s inner circle to experience these era-defining orchestral reductions performed with a vigour as never before.
Presented by Bristol Beacon
Charles Hazlewood Conductor
Paraorchestra
Please note: This is a seated performance
Programme
Johann Strauss II arr. Schönberg Emperor Waltz, Op. 437
Arnold Schönberg Five Orchestral Pieces, Op.16 (version for chamber ensemble)
Gustav Mahler arr. Schönberg Songs of a Wayfarer, Op 16
Johann Strauss II arr. Schönberg Roses from the South Waltz, Op. 388