IMPACT DRIVER
8pm, 20th & 21st November @ The Mount Without
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IMPERMANENCE Presents...
Artist and performance maker Eve Stainton presents their touring choreographic work, Impact Driver. Featuring live welding, movement, and live sound, scored by Leisha Thomas and Mica Levi. Performed by Tink Flaherty, Imani Mason Jordan, Romeo Roxman Gatt and Eve Stainton.
Please note: Audio description is available on the 21st Nov.
Impact Driver is interested in methodologies for constructing thriller-like suspense. How suspense can be sustained as the main event, in the absence of a climax or traditional resolution. Borrowing the logic from a welding workshop, Stainton foregrounds activities that require live negotiation and decision making; making visible how scenes and objects take their shape, and continue to move through meanings. Atmospheres, garments, feelings and materials, generative and in tension.
Working with time-based notions of being ‘caught in the act’ and ‘on tenterhooks’, Stainton explores how suspense as a rumbling undercurrent has the potential to punctuate lesbian and trans-masc identities. Haunting, time stretching, absurdist.
‘Welding is potent for me in so many ways- its strong alchemical presence, its extreme theatricality, its capacity for danger/excitement/drama/power/thrill, its sensuality, its brashness.’ - Eve Stainton
Featuring an ensemble from different creative backgrounds who don’t usually work in the field of dance, this research continues Stainton’s work in celebrating the gender non-conforming lesbian and trans-masc experience, of which there are many, and what foregrounding these identities means to the white western Contemporary Dance canon.
Artist and performance maker Eve Stainton presents their touring choreographic work, Impact Driver. Featuring live welding, movement, and live sound, scored by Leisha Thomas and Mica Levi. Performed by Tink Flaherty, Imani Mason Jordan, Romeo Roxman Gatt and Eve Stainton.
Please note: Audio description is available on the 21st Nov.
Impact Driver is interested in methodologies for constructing thriller-like suspense. How suspense can be sustained as the main event, in the absence of a climax or traditional resolution. Borrowing the logic from a welding workshop, Stainton foregrounds activities that require live negotiation and decision making; making visible how scenes and objects take their shape, and continue to move through meanings. Atmospheres, garments, feelings and materials, generative and in tension.
Working with time-based notions of being ‘caught in the act’ and ‘on tenterhooks’, Stainton explores how suspense as a rumbling undercurrent has the potential to punctuate lesbian and trans-masc identities. Haunting, time stretching, absurdist.
‘Welding is potent for me in so many ways- its strong alchemical presence, its extreme theatricality, its capacity for danger/excitement/drama/power/thrill, its sensuality, its brashness.’ - Eve Stainton
Featuring an ensemble from different creative backgrounds who don’t usually work in the field of dance, this research continues Stainton’s work in celebrating the gender non-conforming lesbian and trans-masc experience, of which there are many, and what foregrounding these identities means to the white western Contemporary Dance canon.
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